Bleak House Penguin Classics Charles Dickens 9780141439723 Books
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Bleak House Penguin Classics Charles Dickens 9780141439723 Books
It was a happy day when I, for whatever reason, elected to sample Charles Dickens. Having read A Tale of Two Cities in high school, I digressed to more popular fiction (Michener, Clavell, McMurtry, King, Grisham), as well as periods of science fiction and even non-fiction (Ambrose, McCollough for example), before making an effort to upgrade my reading list.I read some Tolstoy, Dostoyevsky, Steinbeck and Hemingway with mixed success before reading Great Expectations. I liked it enough to read David Copperfield, and I was hooked. A Tale of Two Cities followed and then Oliver Twist (not my favorite) before taking on this lengthy tome.
Bleak House is something of an indictment of the English legal system, more particularly the Chancery Court of Dickens’s period. It takes as its subject the case of Jarndyce vs. Jarndyce, a Chancery Court case that droned interminably through the system, taking on a life of its own as it outlived its various parties, barristers and judges. Much like David Copperfield, the characters that Dickens creates on the periphery of the story give it much of its charm, however, there are so many of them, and they flit in and out of the story so frequently, that it was difficult for me to remember some of them.
Having read several Dickens works prior to this one, I was aware that a period of acclimation is required before becoming comfortable with both the language and the cultural landscape, however the comfort that I eventually attained in the previous novels was more difficult to come by here. In addition, I found the prose to be far more florid and tortured in this book than in the other Dickens novels that I enjoyed far more.
Make no mistake, at nearly 1,000 pages this is a real door stop, with long periods of very slow advancement and tedious description. Not my favorite, and hard to recommend.
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Bleak House Penguin Classics Charles Dickens 9780141439723 Books Reviews
Terrific production. Andrew Davies adaptation of the Charles Dickenson classic confirms what an extraordinarily gifted screenwriter Davies is. The casting is a gift unto itself with the BBC's most talented actors in each and every role. The sets and costumes are wonderful and really add another dimension to the story. The stellar portrayals by the cast bring the ring of truth to the story as it reflects the many faces of the human condition. We feel the characters hopes, fears, longing, joy, and desperation. We witness, both circumstantial and inherently, the kindness and malice that is human nature. A moving, intriguing, and thought provoking screen production of a truly great literary work. While Jillian Anderson is young to be cast as Anna Maxwell Martin's mother, Anderson's brilliant performance overrides the closeness in age between the two actresses portraying mother and daughter. One of the best dramatic videos I've seen in a long time.
I just could not get into the actual book a few years back, but I was absolutely engrossed in this miniseries. It reveals the comfortable lifestyle of the rich which was not always filled with parties and holidays, but also bad choices, sadness & regret, the more numerous working class, and the desperate, and sometimes gritty, lower-class's struggles to survive by any means. You'll detest the villains and anxiously hope the innocent to prevail. I loved how the personalities of each character were wonderfully developed and portrayed. Very well acted! Highly recommend.
I have never thought of Bleak House as Charles Dickens's best novel, but this series is the best film treatment of a Dickens novels since Alistair Sims's Christmas Carol. The acting is superb and subtle, allowing for thoughts to be conveyed without words. The parts of the book which critics, and sometimes with justice, called sentimental are here transformed into very moving and controlled scenes. I cannot recommend this series too highly.
It's not Austen, and it's not Bronte. It's Dickens and it's great. Andrew Davies, BBC, and the all-star cast did an amazing job. Glad I finally got the chance to watch it. I highly, highly recommend. Especially if you can understand that Dickens is severe compared to Austen and gritty compared to Bronte (both Bronte sisters); and especially if this severity and grittiness does not turn you off. From some of the negative reviews, I think some were expecting the lightness of Austen. This is definitely not that. And as always, the cinematography is once again outstanding in this BBC production as the last several years have been.
This was the early 1800's. How could one expect it Not to be bleak, although the house, Bleak House, is the antithesis of bleak.
A great "series" and pretty realistic. I've read a few reviewers talk about Downtown Abbey as good but Bleak House as dark and bleak. No kidding. It's the 1800's and if you didn't have money life was pretty horrendous. Also, Downton Abbey was the early 1900's, 50+ years later than is shown here.
Downton Abbey, although a favorite, it is very detailed and realistic for the rich, with little to no realistic reflection of the details of poverty other than what's shown of the downstairs workers.
Gillian is good but has the same 3 looks used over and over. I get she's lived a tortured life and has made decisions, i.e. marrying her husband, for her own survival and welfare but we really don't get to see much beyond the one dimensional presentation of her living an unhappy rich life.
The other characters are far more interesting only because they've fleshed out their characters. Sadly I was unaware of the history and although I knew it was Season 1 in 2005, I believed there was a Season 2. So, I'd not realized when it's done, it's done. No more.
It should really be presented as a Mini-series.
I won't ruin it for those who haven't seen it, so I'll only say I really liked watching however I thought the last 30-60 minutes could have been done better.
It was a happy day when I, for whatever reason, elected to sample Charles Dickens. Having read A Tale of Two Cities in high school, I digressed to more popular fiction (Michener, Clavell, McMurtry, King, Grisham), as well as periods of science fiction and even non-fiction (Ambrose, McCollough for example), before making an effort to upgrade my reading list.
I read some Tolstoy, Dostoyevsky, Steinbeck and Hemingway with mixed success before reading Great Expectations. I liked it enough to read David Copperfield, and I was hooked. A Tale of Two Cities followed and then Oliver Twist (not my favorite) before taking on this lengthy tome.
Bleak House is something of an indictment of the English legal system, more particularly the Chancery Court of Dickens’s period. It takes as its subject the case of Jarndyce vs. Jarndyce, a Chancery Court case that droned interminably through the system, taking on a life of its own as it outlived its various parties, barristers and judges. Much like David Copperfield, the characters that Dickens creates on the periphery of the story give it much of its charm, however, there are so many of them, and they flit in and out of the story so frequently, that it was difficult for me to remember some of them.
Having read several Dickens works prior to this one, I was aware that a period of acclimation is required before becoming comfortable with both the language and the cultural landscape, however the comfort that I eventually attained in the previous novels was more difficult to come by here. In addition, I found the prose to be far more florid and tortured in this book than in the other Dickens novels that I enjoyed far more.
Make no mistake, at nearly 1,000 pages this is a real door stop, with long periods of very slow advancement and tedious description. Not my favorite, and hard to recommend.
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